I passed on his stories to my little sister, who was only six years old when he died. I became a storyteller too! We found it truly touching, and think it deserves a wider audience. He made us realize how many things we did have, as a family. The metre of the original is the same as in the Kalevala, which cannot be reproduced in a language like English, where the ictus of the metre has to coincide with the natural stress-accent of the words.
I passed on his stories to my little sister, who was only six years old when he died. My dear dad passed away in February, I remember how we giggled every time he mimicked the voice of a witch, the neigh of a horse, or the sobs of a crying princess. This is important; it allows us to supplement what is missing or defective in one Finnish group by what is more complete in another, with far greater certainty than when dealing under similar circumstances with the Aryan-speaking groups. I use the the storytelling skills he instilled in me during church services, at the Sunday School classes that follow, at camps, and every other chance I get. Chapters six and seven contain an analysis of the beliefs of the Western Finns, so far as they can be gathered from the text of the Magic Songs in the second volume; and a perusal of them will facilitate the comprehension of the Magic Songs themselves. The second volume, containing magic songs, some of considerable length, classed under headings, is a translation of a very large portion of the Suomen kansan muinaisia Loitsurunoja, edited and published by the late Dr. As the translation was made for Folklorists it is as literal as possible, without additions, without subtractions, and the vocabulary employed is in conformity with the subject, with the humble social status and homely surroundings of the original composers. Except by Folklorists, little attention is paid in Great Britain to these peoples, and much that is written of them abroad finds no response here, the 'silver streak' acting, it would seem, as a non-conductor to such unsensational and feeble vibrations. Krizza Thanks for sharing, Krizza. He invented a superhero named Simatar, who rode into battle on his sidekick, a white-winged horse. He also told us about his own happy childhood memories; growing up alongside six siblings, how his parents worked hard to ensure that he had access to the education that they both lacked. The metre of the original is the same as in the Kalevala, which cannot be reproduced in a language like English, where the ictus of the metre has to coincide with the natural stress-accent of the words. I became a storyteller too! Simatar saved princesses from dragons, was a friend to elves and fairies, and helped feed a hungry, homeless old man. My dad, upon realizing what we were up to, came up with something even better to entertain us. Your request for everyone to share the lessons their fathers taught them made me remember my dad, and how he taught me a love of storytelling. We found it truly touching, and think it deserves a wider audience. When my siblings and I were young, my parents could not afford to buy a television for the family. Although the languages of the Eastern and Western Finns differ as much perhaps among themselves as the various members of the Aryan group, the craniological and physical differences between any two Finnish groups is very much less than between the Latin and the Teutonic groups, for instance. He made us realize how many things we did have, as a family. But where it could be done without loss of exactness a certain rhythm, generally three beats to a line, is given in the translation, though to save space the lines are printed in prose form. All the Finns live nearly under the same latitudes, and in pre- and proto-historic times, which are not so very remote, the differences in customs, religious and other beliefs, could not have been very great.
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